Online and Open-Access Film and Moving-Image Studies Writing Of Note (by Individual Named Authors)

[Last updated: January 11, 2009; see just added label for latest entries; the list is organised A-Z by author forename]

• Abe Mark Nornes and Yeh Yueh-yu, 'A City of Sadness--a Hypertextual Multimedia article'
• Acquarello (Strictly Film School)
• Adrian Martin (from late 2008) (Before then please see these links via Girish Shambu's blog)
• Alain Badiou
• Alexander Binns, Music in the films of Wong Kar-wai
• Alexander Cohen, 'Clockwork Orange and the Aestheticization of Violence'
• Alexandra Juhasz (also see Media Praxis)
• Alison Butler, Feminist Film in the Gallery (Ahtila)
• André Bazin, 'The Life and Death of Superimposition'
• André Bazin,'Will CinemaScope Save the Film Industry?'
• André Bazin, on René Clement and literary adaptation: Two original reviews
• André Bazin, on Claude Autant-Lara and literary adaptation: Four original reviews
• André Habib, 'Origins and Death in the Work of Jean-Luc Godard'
• Andrew Horton and Stuart Y. McDougal (eds), Play It Again, Sam: Retakes on Remakes (e-book)
• Andrew Klevan on writing about film performance (in response to Adrian Martin)
• Anna Notaro just added
• Anne Rutherford, 'Arrested Motion: Leaps and Bounds in the Korean Detective Film'
• Anne Rutherford, 'Cinema andEmbodied Affect'
• Anne Rutherford, 'Precarious Boundaries: Affect, Mise en scène and the Senses in Angelopoulos' Balkans Epic'
• Anneke Smelik, Feminist Film Theory
• Antonio Negri, 'On Gilles Deleuze & Félix Guattari, A Thousand Plateaus'
• Ara Osterweil on Caché
• Aylish Wood, 'Proliferating Connections and Communicating Convergence'
• B. Ruby Rich
• Barbara Klinger, 'Say It Again, Sam: Movie Quotation, Performance and Masculinity' just added
• Barry Keith Grant on Masculinity and D.W. Griffith
• Barry Keith Grant on Rethinking Authorship
• Barton Byg, Landscapes of Resistance: The German Films of Danièle Huillet and Jean-Marie Straub (e-book)
• Béla Balázs, Theory of the Film (e-book)
• Ben Brewster, 'The Fundamental Reproach (Brecht)' just added
• Bernard Stiegler, 'Our Ailing Educational Institutions'
• Brian McFarlane, Chapter 2 (on I, Claudius) from Sights Unseen: Unfinished British Films, ed. by Dan North
• Brian Price on Catherine Breillat
• Caroline Bassett on Web 2.0
• Catherine Grant
• Catherine Lupton on Chris Marker
• Cecilia Sayad
• Charles Musser, Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company (e-book)
• Chris Darke, Letter from London [on surveillance culture]
• Chris Fujiwara
• Chris Marker, A free replay (notes on Vertigo)
• Chris Marker, Phenomenon (n.)
• Chris Marker, Pictures at an Exhibition
• Claudia Gorbman, 'Vigo/Jaubert' just added
• Chuck Tryon
• Coral Houtman on Unreliable Narration in The Sixth Sense
• Coralline Dupuy, 'Korean Gothic and psychosis in A Tale of Two Sisters'
• Cynthia Freeland
• Dana Polan on Auteur Desire
• Dana Polan, 'Film Theory Re-Assessed'
• Daniel Chandler
• Daniel Frampton, 'The Way that Movements Speak' [on Tarr and Pawlikowski]
• Daniel Frampton at Filmosophy.org
• Daniel Yacavone, 'Towards a Theory of Film Worlds'
• Dan North, chapters from Sights Unseen: Unfinished British Films
• Dana Polan, 'Auteur Desire'
• David Blakesley 'Eviscerating David Cronenberg'
• David Bordwell
• David Bordwell, Ozu and the Poetics of Cinema (e-book)
• David Bordwell, 'Camera Movement and Cinematic Space' just added
• David Sorfa
• David Sterritt
• David Wellbery, 'Post-Hermeneutic Criticism' (on Kittler)
• Diane Negra, 'Quality Postfeminism?"Sex and the Single Girl on HBO'
• Dina Iordanova
• Donald Larsson on agency and film narration
• Donald Richie, Japanese Cinema (e-book)
• Donato Totaro, 'Art For All "Time"' [on Tarkovsky]
• Donato Totaro, Gilles Deleuze's Bergsonian Film Project
• Donato Totaro, 'Deleuzian Film Analysis: The Skin of the Film'
• Douglas Morrey on Claire Denis's Trouble Every Day
• Douglas Morrey, 'Open Wounds: Body and Image in Jean-Luc Nancy and Claire Denis'
• Douglas Pye, In and Around The Paradine Case
• Ed S. Tan, Cultural Functions and Practices in the Digital World
• Elena del Río on Claire Denis' Beau travail
• Elizabeth Cowie on Anxiety, Ethics and Horror
• Ella Shohat on Framing Post-Third Worldist Culture (Middle Eastern/North African film)
• Eugenie Brinkema, Bersani, Deleuze, Noé
• Fiona Jenkins, 'Grief’s Testimony: On Almodóvar’s All About My Mother'
• Frances Restuccia on Lacan.com
• Fred Camper on Film
• Gary Hall
• Gene Youngblood, Expanded Cinema (e-book)
• Geoffrey Kantaris just added
• Geoffrey Nowell-Smith on the rise and fall of Film Criticism
• George Kouvaros, 'Cinema and theatre in John Cassavetes' The killing of a Chinese bookie and Opening night'
• George Kouvaros, 'Nocturnal Kinship' (John Conomos plus Calvino, Nabokov, Schefer)
• George M Wilson
• Gigi Hu Tze-yue, 'Understanding Japanese animation: from Miyazaki and Takahataanime'
• Gilberto Perez, 'Toward a rhetoric of film: identification and the spectator'
• Gilles Deleuze and Félix Guattari
• Girish Shambu
• Greg M Smith
• Henry A. Giroux, Racism and the Aesthetic of Hyperreal Violence: Pulp Fiction and Other Visual Tragedies
• Henry Jenkins
• Hugo Münsterberg, The Photoplay (e-book)
• Ian Christie, 'Protazanov: A Timely Case for Treatment'
• Jacqueline Maingard, South African Cinema in the 1940s
• Jacques Rancière, A Thwarted Fable
• James R Elkins, Reading/Teaching Lawyer Films
• Janet Staiger, 'Cabinets of Transgression: Collecting and Arranging Hollywood Images' just added
• Janine Marchessault, McLuhan’s Pedagogical Art
• Jason Mittell (on media/TV)
• Jason Sperb
• Jay Leyda, Kino A History Of The Russian And Soviet Film (e-book)
• Jean-Louis Schefer on La Jetée
• Jeanne Allen, 'Self-Reflexivity in Documentary' just added
• Jeanette Herman, Memory and Melodrama: The Transnational Politics of Deepa Mehta's Earth
• Jean-Luc Nancy on Lacan.com
• Jean-Pierre Oudart on Lacan.com
• Jennifer E. Langdon, Caught in the Crossfire: Adrian Scott and the Politics of Americanism in 1940s Hollywood (e-book)
• Jinhee Choi on sentimentality and extreme cinema
• Joan Copjec, on 'the Object-Gaze: Shame, Hejab, Cinema'
• Joan Copjec on Lacan.com (scroll down page)
• Joe Wlodarz, Genre Trouble and HBO's Oz
• John Berger, On Middle of the Earth just added
• John David Rhodes on Peggy Awesh
• John Hess at Jump Cut
• John M. Frame, Theology at the Movies (e-book)
• Jon Beasley-Murray
• Jonathan Rosenbaum
• Jonathan Rosenbaum, Moving Places: A Life at the Movies (e-book)
• Judith Mayne, 'Kino-Truth and Kino Praxis: Vertov's Man With a Movie camera' just added
• Julia Lesage online essays
• Julian Stringer at Scope just added
• Julianne Burton, Revolutionary Cuban cinema
• Justine Walden, 'The Political Aesthetic: Nation and Narrativity on the "Starship Enterprise"'
• Karen Lury at Flow TV
• Kerryn Goldsworthy, 'Austen and Authenticity'
• Kevin Lee
• Kevin Ohi, The Manchurian Candidate, Cold War Paranoia, and the Historicity of the Homosexual
• KF Yau, '3rdness: Filming,Changing, Thinking Hong Kong'
• Kim Newman, 'Irish Horror Cinema'
• Kristin Thompson, 'The Concept of Cinematic Excess' just added
• Kristin Thompson (essays with David Bordwell)
• Laura Mulvey, 'Visual Pleasure and Narrative Cinema'
• Laura Rascaroli, 'Strange Visions: Kathryn Bigelow's Metafiction'
• Laura U. Marks
• Laura U. Marks, 'Haptic Visuality:Touching with the Eyes'
• Lesley Stern, 'Emma in Los Angeles: Clueless as a remake of the book and the city'
• Lev Manovich
• Lev Manovich, 'Cinema as Cultural Interface'
• Lev Manovich, 'Film/Telecommunication -- Benjamin/Virilio'
• Lewis Jacobs, The Rise of the American Film: A Critical History (e-book)
• Libby Saxton on Lanzmann and Levinas
• Lisa K. Broad on Robbe-Grillet’s La Belle Captive (also see Tativille)
• Luke McKernan (on early and silent cinema)
• Malcolm Turvey, Can Science Help Film Theory?
• Manthia Diawara on Sub-Saharan African film
• Mark Poster, 'The Aesthetics of Distracting Media'
• Matilda Mroz on Andrzej Wajda's Man of Marble
• Mattias Frey on Haneke 1
• Mattias Frey on Haneke 2
• Melanie Swalwell, 'The Senses and Memory in Intercultural Cinema'
• Michael Chanan
• Michael Grant on Dreyer and Fulci
• Michael Grant on Stanley Cavell
• Michael Grant, David Cronenberg: Style and Extremity
• Michael Grant on The Shining
• Michael J. Anderson, 'James Benning's Art of Landscape: Ontological, Pedagogical, Sacrilegious' (also see Tativille)
• Michael J. Anderson, 'Before Sunrise, or Los Angeles Plays Itself In a Lonely Place'
• Michael J. Anderson, 'Histoire de Marie et Julien: Jacques Rivette's Material Ghost Story'
• Michael J. Anderson, 'Beyond Borders (on The Wind Will Carry Us)'
• Michael Keane, Exporting Chinese Culture: Industry Financing Models in Film and Television
• Monika Jaeckel, 'Approach via the ‘Smooth Space’ - Laura U.Marks’ Research on Intercultural New Media Practice'
• Murray Smith on Music, Film, and Emotion
• Nicholas Rombes, 'Incompleteness'
• Nicole Brenez on Baise-moi
• Niklas Luhmann, 'Modern Society Shocked by its Risks'
• Noel Burch, To the Distant Observer: Form and Meaning in the Japanese Cinema (e-book)
• Noel Burch, 'Notes on Fritz Lang's First Mabuse' just added
• Ntongela Masilela on African cinema and literature
• Patricia MacCormack on Pleasure, Perversion, Death and the Viewing Body (e-book)
• Patricia Mellencamp, 'Spectacle and Spectator: Looking Through the American Musical Comedy' just added
• Patricia Pisters, 'From Mouse to Mouse - Overcoming Information' just added
• Paul Julian Smith
• Paul Julian Smith on Pan's Labyrinth
• Paul Rotha, Rotha On The Film A Selection Of Writings About The Cinema (e-book)
• Paul Rotha, The Film Till Now: A Survey of World Cinema (e-book)
• Paul Ward
• Ray Carney
• Rayna Denison
• Richard Abel on Mise-en-scene in Boudu
• Richard Allen, Looking at Motion Pictures
• Richard Maltby, 'How Can Cinema History Matter More?'
• Richard Maltby, '"More Sinned Against than Sinning": The Fabrications of Pre-Code Cinema'
• Richard Maltby, 'The Public Enemy'
• Richard Maltby, 'The problem of interpretation ...": authorial and institutional intentions in and around Kiss me deadly'
• Richard Raskin, 'Closure in The Third Man: On the Dynamics of an Unhappy Ending'
• Richard Raskin, '"European versus American Storytelling: The Case of The Third Man'
• Richard Rushton
• Robert Murphy, 'Raymond Durgnat and A Mirror for England'
• Robert Philip Kolker The Altering Eye (e-book)
• Robert Philip Robertson, 'Ghostwriting Hong Kong : post-colonial documentary and the western tradition'
• Robert Stam and Randal Johnson, 'Beyond Cinema Novo'
• Roberta Pearson in Scope just added
• Robin Wood
• Ronald Duncan, Jean Cocteau: Diary of a Film (e-book)
• Rosalind Galt on the Barcelona School
• Rosanna Maule
• Rupert Read (on philosophy and film)
• Sandy Flitterman Lewis, 'That "Once-Upon-A-Time" of Childish Dreams' just added
• Sarah Cooper on Levinas and Cinema
• Serge Daney in English 1
• Serge Daney in English 2 (at Steve Erickson's site - scroll down)
• Sérgio Dias Branco (essays on split-screens, Friends, Buffy and Battlestar Galactica)
• Siegfried Kracauer, From Caligari To Hitler: A Psychological History Of The German Film (e-book)
• Slavoj Žižek on the 'act'/The Sweet Hereafter
• Slavoj Žižek on Lacan.com
• Stanley Cavell, A Capra Moment
• Stella Bruzzi on The Talented Mr Ripley
• Stephen Heath, 'Afterword' [on Godal's 'The Anti- Narrative']
• Stephen Heath, 'Screen Images - Film Memory' just added
• Stephen Heath, 'Film Performance' just added
• Stephen Mulhall, Ways of Thinking [a defence of On Film]
• Steve Erickson
• Steven Schneider, Freud, Lakoff, and the Representation of Monstrosity in Cinematic Horror
• Steven Shaviro
• Su Homes on Dyer, Stardom and Celebrity
• Suk-ying Shirley Yau, Horror in contemporary cinema
• Tag Gallagher
• Tag Gallagher, John Ford (e-book)
• Tanya Krzywinska
• Teshome H Gabriel on Xala
• Thomas Austin on Audience Perspectives on Screen Documentary
• Thomas Elsaesser
• Thomas E Wartenberg at Philosophy Now
• Thomas J. Saunders, Hollywood in Berlin: American Cinema and Weimar Germany (e-book)
• Tim Groves, 'Cinema/Affect/Writing'
• Tim Groves, 'Entranced: Affective Mimesis and Cinematic Identification'
• Tim Groves, 'The Un/forgiven Director'
• Tom Gunning - Making Sense of Films
• Tom Waugh, 'Cinemas, Nations, Masculinities'
• VF Perkins on Letter from an Unknown Woman
• VF Perkins, Moments of Choice
• VI Pudovkin, Film Technique And Film Acting (e-book)
• Vivian Sobchack 'Nostalgia for a Digital Object'
• Walter Benjamin
• Warren Buckland
• Warren Buckland, The Cognitive Semiotics of Film
• William C. Wees, Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film (e-book)
• William D. Routt
• William D. Routt, ''L'Evidence'
• William Rothman, On Cavell (Response to Tepper)
• Yvonne Tasker, 'Enforced Talk: Crime and Confessional in Family Forensics'
• Zuzana Pick on Chilean cinema in exile just added

Please read Film Studies For Free's accompanying explanation of this listing HERE. The list in this post will be frequently updated, so please bookmark it. Comments are closed on this post but please feel free to comment HERE or email FSFF with suggestions for addition HERE.