Thứ Ba, 22 tháng 9, 2009

Pedro Costa: A Retrospective

Revised and updated version

The Rabbit Hunters by Pedro Costa (one of t
hree episodes of a 2007 project created by the Jeonju Film Festival to produce and distribute short films created in digital format and directed by three directors with complete creative freedom. The other episodes are Respite by Harun Farocki and Correspondences by Eugène Green).

Watching any of Pedro Costa’s films grabs hold of our gaze and forces us to personally experience the motion of the film. At times his scenes sting our eyes with their piercing pain, and at times they wrap our eyes in ineffable tenderness. [Shigehiko Hasumi]
Like his European contemporaries Ulrich Seidl and Harun Farocki, Portuguese filmmaker Pedro Costa is a veritable pioneer in the fusion of documentary and fiction. As London's Tate Modern museum is about to embark on its fantastic retrospective of the whole of Costa’s oeuvre (at the Starr Auditorium from 25 September–4 October 2009), the ever-timely Film Studies For Free presents its own retrospective of links to valuable (mostly English-language) work about him published online.
Whenever it can, FSFF stands on the shoulders of giants: on this occasion, welcome lifts were given by Girish Shambu, Michael Guillén, David Hudson, HarryTuttle, and Ryland Walker Knight with their respective links lists and discussions or interviews around the time of North American retrospectives of Costa's works and the 2009 Cannes Film Festival. Thanks a lot, guys.

FSFF's London readers should also note that Costa will give a talk called 'Thoughts on Films' at Birkbeck College, associated with the Tate retrospective at 7.30pm on Tuesday 29 September (further details HERE).
And, finally, at the very foot of this post, for its francophone readers, FSFF has embedded two rather enlightening segments from a wonderful video interview with Costa (in unsubtitled French) at Cannes in 2009.


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