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| Images from Låt den rätte komma in/Let the Right One In (Tomas Alfredson, 2008 - above) and Let Me In (Matt Reeves, 2010) |
In fact, FSFF doesn't turn its nose up at bad vampire movies, either. Let's face it: this blog is just not that fussy when it comes to vampire movies.
Both kinds of films are represented below, in a fairly short, but terrifyingly good, list of scholarly and other online studies of the recent flourishing of teen and pre-teen varieties of undead cinema (along with their literary sources).
Please note that the list does not dabble in studies of the televisual versions of the genre. For those, you could no better than to visit the complete archive of Slayage articles on, inter alia, Buffy the Vampire Slayer, Angel, and Firefly.
- Stacey Abbott, 'Urban Vampires in American Films of the Eighties and Nineties, in Vampires: Myths and Metaphors of Enduring Evil Conference Proceedings Budapest, Hungary May 22-24 2003, ed. by Carla T. Kungl (Oxford: Inter-Disciplinary.Net, 2003) scroll to p. 133
- Jennifer Stevens Aubrey, ' Contemplating the Franchise, the Fandom and the Celebrity Juggernaut of the Twilight Saga', In Media Res, July 2, 2010
- Simon J. Bacon, 'Fangs for the memory': can the American cinematic vampire be equated with Pierre Nora's idea of the 'lieux de memoire' ? Masters thesis, Institute of Germanic and Romance Studies, University of London, 2009
- Courtney Brannon Donoghue, ' "Twilight is a license to print money": Selling the Female Film Franchise', June 30, 2010
- Glennis Byron, '©Branding and Gothic in Contemporary Popular Culture: the case of Twilight', The Gothic Imagination, December 31, 2010
- Melissa Click, '“Rabid”, “obsessed”, and “frenzied”: Understanding Twilight Fangirls and the Gendered Politics of Fando', FlowTV, December 18, 2009
- Martin Fradley, 'Review of Contemporary Gothic, by Catherine Spooner', Journal of Transformative Works, Vol. 4, 2010
- Rebecca Housel, ' Eclipsing the "Real": Twilight & Simulacra', In Media Res, July 1, 2010
- Erich Kuersten, 'Someone to Fight Over Me: Feminism, SandM, and the Daemonic in Twilight', Bright Light Film Journal, 68, May 2010
- Stephanie Leach, 'Vampires Go to University: Academic Fads and the (Non)Future of the Humanities in the Neoliberal Academy', Graduate Student Essay, McMaster University, 2010 (Word Document) (published by Dr David L. Clarke)
- Benny LeMaster, 'Queer Imag(in)ing: Liminality as Resistance in Lindqvist’s Let the Right One In', Summer 2009
- Anders Marklund, 'Old fangs into new viewers: the American poster to Let the Right One In', Journal of Scandinavian Cinema, 1.1, 2010
- Pramod Nayar, 'How to Domesticate a Vampire: Gender, Blood Relations and Sexuality in Stephenie Meyer’s Twilight', Nebula, 7.3, September 2010
- Maggie Park, 'Twilight: The Multi-Media Marketing Machine', In Media Res, June 28, 2010
- Julia Pearlman, 'Happily (For)ever After: Constructing Conservative Youth Ideology in the Twilight Series', Senior Thesis, Wesleyan University, 2010
- Leonie Margaret Rutherford, 'Industries, Artsists, Friends and Fans: Marketing Young Adult Fictions Online', First Monday, Volume 14, Number 4 - 6 April 2009
- Matt Zoller Seitz, 'Scene of the Year: Let Me In', Salon.com, December 31, 2010
- Kirsten Stevens,'Meet the Cullens: Family, Romance, and Female Agency in Buffy the Vampire Slayer and Twilight', Slayage, 29, 8.1, Spring 2010
- Catherine Strong, '“...it sucked because it was written for teenage girls” — Twilight, anti-fans and symbolic violence', Papers of The Australian Sociological Association 2009 Annual Conference
- Natalie Wilson, ' Twilight Fandom: Taking a Bite Out of Gendered Backlash', In Media Res, June 29, 2010
- Michael Wood, 'At the Movies: Let the Right One In', London Review of Books, 31.9, 2009
- Rochelle Wright, 'Vampire in the Stockholm suburbs: Let the Right One In and genre hybridity', Journal of Scandinavian Cinema, 1.1, 2010
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