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| Frame grab from The Shining (Stanley Kubrick, 1980). Read Hannah Mowat's article on this and other 'hotel films' in the new issue of Frames Cinema Journal |
Film Studies For Free is very happy to announce the online publication of Issue 2 of Frames cinema journal,. The issue contains six fine articles, on a variety of topics, produced in collaboration with the British Association of Film, Television and Screen Studies (BAFTSS). Details and links are given below.
The publication of issue 2 marks Frames' move to a new server and a great new look. As a consequence of this move all of the original URLs for the forty or so contributions to Issue 1 (guest edited by FSFF's supremo) on Film and Moving Image Studies Re-Born Digital? have had to be changed. For this reason, there's a second list of that issue's contents given below, replete with all the new links......
Frames, Issue 2, November 2012: BAFTSS Fall 2012
Feature articles
- An Investigation of Affect in the Cinema: Spectacle and the Melodramatic Rhetoric in Nil by Mouth By Stephen Presence
- Nature versus architecture: navigating the threshold in Alain Resnais’s L’Année dernière à Marienbad, Stanley Kubrick’s The Shining and Jessica Hausner’s Hotel By Hannah Mowat
- “Things that almost killed me”: Apocalypse Now and The Hurt Locker and the influence of 19th century spectacle art in the war film By John Trafton
- “Welcome to Manchester”: Heritage, Urban Regeneration, and Michael Winterbottom’s 24 Hour Party People By Joe Barton
- Keeping It All in the (Nuclear) Family: Big Brother, Auntie BBC, Uncle Sam and George Orwell’s Nineteen Eighty-Four By Nigel Morris
- Cinema, Aviation and Airmindedness in Britain in the 1920s By Amy Sargeant
Frames, Issue 1, July 2012: Film and Moving Image Studies Re-Born Digital? Guest-edited by Catherine Grant
Editorial
- Introducing Frames By founding co-editor Fredrik Gustafsson
- Film and Moving Image Studies: Re-Born Digital? Some Participant Observations Guest Editor's Introduction by Catherine Grant
Feature articles
- Cut, Paste, Glitch, and Stutter: Remixing Film History By Katherine Groo
- The Malleable Computer: Software and the Study of the Moving Image By Daniel Chávez Heras
- The Image as Direct Quotation: Identity, Transformation, and the Case for Fair Use By Jaimie Baron
- Labours of Love: In Praise of Fan Websites By Pam Cook
- Mapping Rohmer – A Video Essay By Richard Misek
- The Video Essay: The Future of Academic Film and Television Criticism? By Erlend Lavik
- In Touch with the Film Object: Cinephilia, the Video Essay, and Chaos Cinema By Matthias Stork
- Sparking Ideas, Making Connections: Digital Film Archives and Collaborative Scholarship By Sarah Atkinson
- Movie Tagger Alpha: Critical Tagging in Emerging Methods of Media Scholarship By Joshua McVeigh-Schultz
- Archive Film Material – A Novel Challenge for Automated Film Analysis By Matthias Zeppelzauer, Dalibor Mitrović and Christian Breiteneder
P.O.V.
- Not in Print: Two Film Scholars on the Internet By Kristin Thompson
- Double Lives, Second Chances By Cristina Álvarez López
- In So Many Words By Adrian Martin
- You Get the Picture By Alexandra Juhasz
- Interface 2.0 By Kevin B. Lee
- Moving Pieces By Matthias Stork
- Some Reflections On My Video Essay Venture “Style in The Wire” By Erlend Lavik
- Film Studies with High Production Values: An Interview with Janet Bergstrom on Making and Teaching Audiovisual Essays By Matthias Stork and Janet Bergstrom
- Teaching the Scholarly Video By Christian Keathley
- Video Essays in the Cinema History Classroom By Kelli Marshall
- Bonus Tracks: The Making of Touching the Film Object and Skipping ROPE (Through Hitchcock’s Joins) By Catherine Grant
- Thirteen Notes: A Poetics of Cinematic Randomization By Nicholas Rombes
- A Universe of New Images By Girish Shambu
- Fair Use and Media Studies in the Digital Age By Steve Anderson
- Click Here To Print This Video Essay: Observations on Open Access and Non-Traditional Format in Digital Cinema and Media Studies Publishing By Andrew Myers
- Open Video Documentary By Patricia Aufderheide
- Video Rising: Remarks on Video, Activism and the Web By Michael Chanan
- Reflections on the Evolution of Cinema=Godard=Cinema By Glen W. Norton
- Research Blogging in Film Studies By Nick Redfern
- Blogging and Tweeting in an Age of Austerity By Fredrik Gustafsson
- Media Studies Makeover By Anne Helen Petersen
- Analysis of Film Colors in a Digital Humanities Perspective By Barbara Flueckiger
- Film Theories and Living Heterogeneity By Dominic Leppla
- Opening the Colonial Film Archive By Tom Rice
- Snakes and Funerals By Emily Jeremiah, James S. Williams and Gillian Wylde
- MASHING UP Derrida and Film By Joanna Callaghan
- Screenwriting 2.0 in the Classroom? Teaching the Digital Screenplay By Andrew Kenneth Gay
- Ask Not What Your Web Can Do For You – Ask What You Can Do For Your Web! Some Speculations about Film Studies in the Age of the Digital Humanities By Adelheid Heftberger
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