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| Frame grab from Double Indemnity (Billy Wilder, 1944). Read Ben Tyrer's article on film noir and this film in the latest issue of Film-Philosophy |
Film-Philosophy 17.1 (2013): the second to last of the brilliant new film studies e journal issues out in December with which Film Studies For Free will present you in 2013. And the daddy of them all.
There will be two more FSFF posts to appear before the holidays, that is, if you can tear yourself away from reading the below articles and reviews.
- The Facts Before Our Eyes: Wittgenstein and the Film Noir Investigator Keith Dromm PDF
- 'How Can It Not Know What It Is?': Self and Other in Ridley Scott's Blade Runner Andrew Norris PDF
- Ghost in the Shell 2, Technicity and the Subject Daniel Hourigan PDF
- Throne of Blood and the Metaphysics of Tragedy Henry Somers-Hall PDF
- 'That Man Behind the Curtain': Atheism and Belief in The Wizard of Oz Justin Remes PDF
- Film Noir as Point de Capiton: Double Indemnity, Structure and Temporality Ben Tyrer PDF
- Shooting for Dead Time in Gus Van Sant's Elephant William Little PDF
- Bad Memories: Haneke with Locke on Personal Identity and Post-Colonial Guilt Justine McGill PDF
- 'Misfortune's Image': The Cinematic Representation of Trauma in Robert Bresson's Mouchette (1967) Mark Cresswell, Zulfia Karimova PDF
- The Ister: Cinema's Interruption Linda Daley PDF
- Otherness and the Renewal of Freedom in Jarmusch's Down by Law: A Levinasian and Arendtian Reading Mark Cauchi PDF
- Mimesis Reconsidered: Adorno and Tarkovsky contra Habermas Simon Mussell PDF
- Nietzsche and Bad Conscience on Mosquito Coast James Edward Gough, Sue Matheson PDF
- The Closure of the 'Gold Window': From 'Camera-Eye' to 'Brain-Screen' Morgan M Adamson PDF
- A New/Old Ontology of Film Rafe McGregor PDF
- Internal Needs, Endoxa and the Truth: An Aristotelian Approach to the Popular Screenplay Daniel McInerny PDF
- Extreme Makeover: Art and Morality in The Shape of Things Joseph H. Kupfer PDF
- 'Even the Ghost was more than one person': Hauntology and Authenticity in Todd Haynes' I'm Not There Carolyn D'Cruz, Glenn D'Cruz PDF
- I'm Glad I'm Not Me: Subjective Dissolution, Schizoanalysis and Post-Structuralist Ethics in the Films of Todd Haynes Helen Darby PDF
- Truth, Autobiography and Documentary: Perspectivism in Nietzsche and Herzog Katrina Mitcheson PDF
- Left-over Spaces: The Cinema of the Dardenne Brothers Benoit Dillet, Tara Puri PDF
- Homeopathic Repetition and Memories of Underdevelopment: The Dialectic of Subjective Experience and Objective Historical Forces Trevor James Cunnington PDF
- Charcoal Matter with Memory: Images of Movement, Time and Duration in the animated films of William Kentridge David H. Fleming PDF
- The Philosophical Act of Seeing With One's Own Eyes: The Silent Films of Stan Brakhage James Michael Magrini PDF
- 'The Epidermis of Reality': Artaud, the Material Body and Dreyer's The Passion of Joan of Arc Ros Murray PDF
- Hsiu-Chuang Deppman (2010) Adapted for the Screen: The Cultural Politics of Modern Chinese Fiction and Film (Iris Chui Ping Kam) PDF
- Alain Badiou (2013) Cinema and Alex Ling (2010) Badiou and Cinema (David H. Fleming) PDF
- Timothy Corrigan, ed. (2012) Film and Literature: An Introduction and Reader. 2nd Edition (Shawn Loht) PDF
- Michael Charlesworth (2011) Derek Jarman (Justin Remes) PDF
- Sharon Lin Tay (2009) Women on the Edge: Twelve Political Film Practices (Sheryl Tuttle Ross) PDF
- Todd Berliner (2010) Hollywood Incoherent: Narration in Seventies Cinema (John Anthony Bleasdale) PDF
- M. Keith Booker (2011) Historical Dictionary of American Cinema (Glen Melanson) PDF
- Shawn C. Bean (2008) The First Hollywood: Florida and the Golden Age of Silent Filmmaking (Carrie Giunta) PDF
- Julian Petley (2011) Film and Video Censorship in Modern Britain (Zach Saltz) PDF
- Suzanne Buchan (2011) The Quay Brothers: Into a Metaphysical Playroom (Micki Nyman) PDF
- Khatereh Sheibani (2011) The Poetics of Iranian Cinema: Aesthetics and Modernity After the Revolution (Paul Elliott) PDF
