- Andrew Horton and Stuart Y. McDougal (eds), Play It Again, Sam: Retakes on Remakes
- Barton Byg, Landscapes of Resistance: The German Films of Danièle Huillet and Jean-Marie Straub
- Charles Musser, Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company
- John M. Frame, Theology at the Movies
- Jonathan Rosenbaum, Moving Places: A Life at the Movies
- Thomas J. Saunders, Hollywood in Berlin: American Cinema and Weimar Germany
- William C. Wees, Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film
These join Film Studies For Free's existing links to the following great books:
- David Bordwell, Ozu and the Poetics of Cinema
- Gene Youngblood, Expanded Cinema
- Jennifer E. Langdon, Caught in the Crossfire: Adrian Scott and the Politics of Americanism in 1940s Hollywood
- Robert Philip Kolker, The Altering Eye
Happy E-reading, folks!
[Addendum - at 16.43: An old friend from my early Kent days, Dr David Sorfa [now Managing Editor of the peerless (...but peer-reviewed!) Open-Access journal Film-Philosophy, and Programme Leader and Senior Lecturer in Film Studies at Liverpool John Moores University], got in touch with two further and very welcome additions to the E-books list. Both these classics are offered up courtesy of the Centre for Japanese Studies, University of Michigan:
- Donald Richie, Japanese Cinema
- Nöel Burch, To the Distant Observer: Form and Meaning in the Japanese Cinema
Díky moc / Arigatou gozaimasu / Thank you very much!]
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